Pag. 9

Endless interpretations, infinite in the mirror.

Celestino Soddu

Director of Generative design Lab, DiAP, Politecnico di Milano University


Pag. 21

Generative Post-processing as an Effective Approach in Art

Bogdan Soban

Freelance Generative Artist


Pag. 30

Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in

Perceptual Process.

Adolfo Benito Narvez Tijerina.

Design Studies Lab, Autonomous University of Nuevo Len, Mxico


Pag. 41

Hypergraph-based Evolutionary Design System

E. Grabska

B. Strug

G. Ślusarczyk.

Faculty of Physics, Astronomy and Applied Computer Science, Jagiellonian

University, Cracow, Poland


Pag. 52

An Enchanted Aisle

Integrating Sound and Visuals in Performance

Brigid Burke

Clarinettist, composer and visual artist, Australia


Pag. 57

The Un-Authored Object

Christine McLoughlin

Fine Art: Environmental Art, Glasgow School of Art, Scotland, UK


Pag. 63

Autonomous Systems for Interactive Digital Art

Chu-Yin CHEN

Jean-Claude HOYAMI

Arts et Technologies de lImage Universit Paris 8, France


Pag. 73

Interactive Swarm Orchestra

Daniel Bisig Martin Neukom John Flury

Institute for Computer Music and Sound Technology, Zurich Univ. of the Arts,



Pag. 85

Genetic Algorithms in Architecture: a Necessity or a Trend?

Eleftheria Fasoulaki

Department of Architecture, Massachusetts Institute of Technology


Pag. 91

Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure

E. Friedrich

C. Derix

S. Hanna

Bartlett School of Graduate Studies, University College London, London

School of Architecture and Visual Arts, University of East London


Pag. 110

Cities of the inhabitants or Megalopolis of the nets "Systems Design" between

Sensitive and Intellective Giuseppe Marinelli De Marco Mauro Palatucci

ISIA Rome, school of design, Italy


Pag. 123

Uncovering social urban form in dynamics

Chun-Shuo Hsiao

Department of Architecture, Chaoyang University of Technology, Taichung, Taiwan.


Pag. 133

You Get as Much as You Generate

Tjark Ihmels

Director of Institute for Media Art and Design

Institute for Media Art and Design, University of Applied Sciences, Mainz, Germany


Pag. 141

Identity in the Work of Tadao Ando. An exploratory essay on the problems of how to model identity

K. Moraes Zarzar

Faculty of Architecture, Delft University of Technology, Delft, The Netherlands


Pag. 149

Theory of Complexity Kevin McGuire Ottawa, Canada


Pag. 160

A New Kind of Art: The Robotic Action Painter

Leonel Moura

Artist, Lisbon, Portugal


Pag. 166

An Agent System Based Tool to Help Designers for Free-Form Shape Generation in

Digital Media

Mahmut Cagdas Durmazoglu

Gulen Cagdas

Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey


Pag. 178

The Generative Powers of Textiles Margaret C. Perivoliotis-Chryssovergis Department of Interior Architecture and Design Faculty of Graphic and Applied Arts

Technological Educational Institute (TEI), Athens, Greece


Pag. 186

Automatic Generation of Aesthetic Images for Computer-Assisted Virtual Fashion




Jean-Louis FERRIER

Laboratoire dIngnierie des Systmes Automatiss (LISA), University of Angers, Angers, France


Pag. 200

How does the analog talk to the digital? The Art of Penny Feuerstein

Penny L. Feuerstein

Department of Art and Technology, The School Of The Art Institute Of Chicago, USA


Pag. 208

Database Design for Represent Genetic Information and Environment Impression in

Architectural Design

Soghra.V. Sayyaad Rahim

Department of Architecture and Civil engineering, Islamic Azad University of Qazvin, Iran


Pag. 216

A Shape Grammar Study: Form Generation with Geometric Islamic Patterns

Sehnaz Cenani

Gulen Cagdas

Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey


Pag. 223

Growing a City: Individuals, Interactions, and Emergent Behaviour

S.F. Chien

Department of Architecture, National Cheng Kung University, Tainan, Taiwan


Pag. 236

Section as Form Generator under Digital Environment

Shuenn-Ren Liou

Department of Architecture, Tunghai University, Taichung, Taiwan


Pag. 244

From Clay Cones to Tesserae: the Generative Art of Mosaic Making

S. T. Elias-Ozkan

Department of Architecture, Middle East Technical University, Ankara, Turkey.

B. zkan

School of Design, Politecnico di Milano, Milan, Italy


Pag. 255

Hidden in the Urban Fabric: Art + Architecture a Case Study of Collaboration in interdisciplinary Contexts

Steffen Lehmann

School of Architecture and Built Environment,The University of Newcastle, Australia


Pag. 262

Light Play

Suresh Sethi

School of Art, Design and Media, Nanyang Technological University, Singapore


Pag. 269

Identity SA - an interactive swarm-based animation with a deformed reflection

T. Unemi

Department of Information Systems Science, Soka University, Tokyo, Japan.

D. Bisig

Artificial Intelligence Laboratory, University of Zurich, Switzerland.


Pag. 280

Using Organic and Curvaceous Forms as a Reference Point for New Product

Development Hengfeng Zuo Mark Jones

School of Design, Southampton Solent University, UK

Pag. 290


A Generative Model For Object Design From Letters In Playground

Elif Gnay


Istanbul Technical University, Istanbul, Turkey


Pag. 304

A Generative Model For Anatolian Medreses By Analyzing Of Precedent


Istanbul Technical University, Istanbul, Turkey

Pag. 311


Batik Fractal : Traditional Art to Modern Complexity

Muhamad Lukman

Yun Hariadi

Achmad Haldani Destiarmand

Pixel People Research and Design Group,

Bandung Institute of Technology, Bandung, Indonesia


Pag. 322

Alter EVO: an interactive evolutionary computation tool for instant architecture processing.

Renato Saleri Lunazzi

DEA informatique et productique, Laboratoire MAP aria UMR 694 CNRS Ministre de la culture et de la Communication.


Pag. 334

AutoMAKE: Generative systems, digital manufacture and craft production

Justin Marshall

University College Falmouth, Cornwall, UK.

Ertu Unver

Paul Atkinson

School of Art & Design, University of Huddersfield, Huddersfield, UK


Pag. 355

Painting with light: generative artworks or setting in motion the fourth dimension

Marcella Giulia Lorenzi

Laboratory for Scientific Communication, University of Calabria, Arcavacata (CS)

Mauro Francaviglia

Department of Mathematics, University of Torino, Torino, Italy.

Laboratory for Scientific Communication, University of Calabria, Arcavacata (CS), Italy


Pag. 366


Enrica Colabella

Generative Design Lab, DiAP, Politecnico di Milano University


Performances, Posters and Installations


Part 2, Pag. 1

Architecture is Performance Giorgos Artopoulos Stanislav Roudavski


Part 2, Pag. 5

Developing Cyberspace Design as a Digital Extension to future Interior Spaces

Eiman Mohamed Elgewely

Medhat Mohamed Metwally

Department of Interior Architecture, Faculty of Fine Arts, Alexandria University, Egypt.

Walaa Mohamed Sheta

Informatics research Institute, Mubarak city for scientific research, Alexandria, Egypt


Part 2, Pag. 14

The Abstract Video Triangular Vibrations

Gordon Monro.

Sydney Conservatorium of Music, University of Sydney.


Part 2, Pag. 16

Cross-Section: Performance

Hee-Seung Choi


Part 2, Pag. 17

Hypothetical Gene Movement: Structural Animation

Kenneth C Byers

MA Media Production, Newcastle. UK


Part 2, Pag. 19

Body Degree Zero-Interactive Performance

Invisible World is an installation that draws its content from the context within which it is placed

Alan Dunning

Paul Woodrow

The Einsteins Brain Project


Part 2, Pag. 22

CRUFT Robert Spahr New York, NY


Part 2, Pag. 24

Dynamic Painting

San Base

Artist, Richmond Hill, Canada


Part 2, Pag. 25

How the Ai art works?

William Yip



Part 2, Pag. 29

Is it possible to defend an optimistic view for the future generations?

Heloisa Helena da Fonseca Carneiro Leo

Pontificia Universidade Catlica So Paulo - Brasil


Part 2, Pag. 36

COnscience Vera Bighetti So Paulo- Brasil


Part 2, Pag. 40

It's a parasite! Giorgos Artopoulos Stanislav Roudavski


Part 2, Pag. 41

Artistic Periods (Until Chaos) Raffaella Pavani, Donato Trigiante Politecnico di Milano, Universita di Firenze


Part 2, Pag. 42


Umberto Roncoroni



Part 2, Pag. 43

The emergent X




Part 2, Pag. 44

Digital Remake